Saturday, April 2, 2016

Hawn to play Schumer's mum

Back ... Goldie Hawn will star in her first movie in a decade when she joins Amy Schumer’s new comedy. Picture: Getty\

Staff writers News Corp Australia Network

GOLDIE Hawn, who has not starred in a movie since 2002’s The Banger Sisters, is set to play Amy Schumer’s mum in a new mother-daughter comedy.

Hawn, who won a Best Supporting Actress Oscar in 1968 for Cactus Flower and was nominated in 1980 for Private Benjamin, said she can’t wait to work with Schumer.

Wanted Goldie ... Amy Schumer reportedly wanted Goldie Hawn to play her mum. Picture: Getty

Wanted Goldie ... Amy Schumer reportedly wanted Goldie Hawn to play her mum. Picture: GettySource:Getty Images

No comeback ... Goldie Hawn says she is happy away from film. Picture: Getty

No comeback ... Goldie Hawn says she is happy away from film. Picture: GettySource:Getty Images

“We are going to do a really funny movie together,” she told The Hollywood Reporter. “It’s going to be a blast.”

However, Hawn, 70, said this was not part of a plan for a late-stage comeback to the big screen.

Last outing ... The Banger Sisters stars actors Susan Sarandon and Goldie Hawn. Picture: Supplied

Last outing ... The Banger Sisters stars actors Susan Sarandon and Goldie Hawn. Picture: SuppliedSource:News Corp Australia

“I am not doing this to re-establish a career. I didn’t go out [looking for a role], it came to me. I was happy not to be in the makeup trailer. But it got to a point when I thought, ‘Gee, you know, it might be fun to make people laugh again’,” she said.

Funny film ... Goldie Hawn and Kurt Russell in Overboard. Picture: Supplied

Funny film ... Goldie Hawn and Kurt Russell in Overboard. Picture: SuppliedSource:Supplied

Hawn first established herself as a comedian in the 1960s on the TV show Laugh In. She has followed it up over the years with hilarious roles in movies like Overboard, The First Wives Club, Housesitter and Death Becomes Her.

While Hawn says she is not planning on a comeback she has also signed on to rejoin Bette Midler and Diane Keatin in a sequel to the highly popular First Wives Club.

Working on film ... Goldie Hawn is set to reteam with Diane Keaton and Bette Midler for a sequel to The First Wives Club. Picture: Supplied

Working on film ... Goldie Hawn is set to reteam with Diane Keaton and Bette Midler for a sequel to The First Wives Club. Picture: SuppliedSource:News Limited

Peter Dinklage Has George R.R. Martin Write His 'SNL' Monologue - Watch Now!

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Peter Dinklage’s Opening Monologue for ‘Saturday Night Live’

Villanova scorches Oklahoma in record-breaking Final Four win

HOUSTON -- NRG Stadium murmured in recognition. It was really happening. It was like that.

Buddy Hield's first Final Four shot read as a statement of intent: opening possession, an isolation out top, a trademark step-back, a helpless defender, a deep bucket buried. In the first seconds of Saturday's Final Four, Hield was already 1-for-1 with three points. Another classic shooting performance from one of the greatest shotmakers in college hoops history -- having one of the most productive NCAA tournaments ever -- appeared to be well underway.

It was like that -- with a twist.

That opening-minute omen didn't presage another brilliant Hield performance. In retrospect, it was merely a sign that shooting in the notoriously tricky NRG Stadium confines wasn't going to be quite as daunting as advertised.

The proof itself would come not from Oklahoma, but from Villanova en route to a 95-51 win -- the largest margin in national semifinal history.

The Wildcats shot 66.7 percent in the first half Saturday. They were 6-of-11 from 3. They scored 1.45 points per possession against one of the best defensive teams in the country. They finished the first 20 minutes with more points than Butler scored in its entire 2011 national-title game performance -- when NRG Stadium officially became the (very large) place where shooting goes to die.

Villanova had no such issues. For a few minutes early in the second half, the Wildcats looked set to cool off ... only to rip off a somehow-even-more-efficient 53 points in 35 possessions -- one bucket after the other, over and over and over and over.

The omen had worked its twisted dark magic throughout. Early in the second half, Oklahoma tried six shots, and five offensive rebounds, on one possession -- none of them fell.

Six minutes later, Wildcats guard Josh Hart would see his drive closed off at the elbow. He picked up his dribble, pivoted to find a teammate, found every avenue closed off. Oklahoma fans began to scream, hoping to will a turnover. Hart needed to do something, anything. So he wheeled to his left and tossed up a fadeaway prayer.

All net. It was like that.

Later, with three minutes to play, both coaches would empty their benches. NRG Stadium was still murmuring, but there was no anticipation in the air. Only shock.

Hield walked off the court shortly after. He was 1 of 8 from 3.

Villanova Wildcats overwhelm Buddy Hield, Oklahoma Sooners in Final Four blowout

Being underrated no longer will be the case with Hart after Villanova's 95-51 thrashing. Hart scored 23 efficient and tenacious points, but the more important part to note is that he was one of six Wildcats in double figures. Hart had eight rebounds ...

Pratyusha Banerjee's suicide: Rahul Raj Singh quizzed, let off; police rule ...

By: Express News Service | Mumbai | Updated: April 3, 2016 7:53 am
Banerjee’s father and mother come out of the mortuary Saturday Banerjee’s father and mother come out of the mortuary Saturday. (Source: Amit Chakravarty)

A day after she allegedly committed suicide, the Mumbai Police took the boyfriend of television actress Pratyusha Banerjee in custody for questioning. He was, however, let off later in the day with investigators almost ruling out foul play.

Rahul Raj Singh, who had been living with Banerjee, had rushed her to Kokilaben Ambani Hospital in Andheri West at 5 pm on Friday after allegedly finding her hanging from a ceiling fan in their Goregaon home.

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He told the police that he had first gone home to meet Banerjee at 1.50 pm and returned at 2.15 pm.

“Singh returned and found the door locked from inside. After several minutes of trying to get the door to open, he went back and fetched a keymaker to force open the door. Singh then asked a passing servant to climb onto the balcony and look in through the window. The servant saw Banerjee hanging from a ceiling fan,” said a senior police officer.

On Saturday afternoon, the police recorded the statements of Singh, his mother, the parents of Banerjee who had taken an early morning flight from Jamshedpur, and a few friends, even as the post-mortem was being conducted at the civic-run Siddharth Hospital in Goregaon West. The investigation is being conducted under Section 174 of the Code of Criminal Procedure, which gives the police power to question individuals while probing a case of suicide.

An officer close to the investigation said Banerjee’s parents had said in their statements that they did not suspect Singh to be responsible for the death. “They did not express any suspicion or claim any foul play. We are treating it as a case of suicide,” the officer said.

Banerjee’s parents reached the hospital at noon and the autopsy began half-an-hour later. According to a statement released by the police on Saturday evening, the procedure was photographed and videographed.

A panel of doctors from the forensic department, the police said, pronounced the preliminary cause as ligature marks on the sides of the neck, that hinted towards asphyxia.

The final cause of death has been reserved and the viscera of the body has been sent to the Kalina forensic science laboratory for an analysis.

The police have also seized two cellphones belonging to Banerjee and Singh from his possession and are attempting to establish who she spoke to last before her death.

A senior police officer said, “Banerjee had been depressed and out of work since March last year. We will be speaking to more of her close friends to try and establish what made her take this drastic step.”

Earlier in the day, soon after her parents arrived, Singh was brought to the hospital in a police car.

The post-mortem ended at 3.30 pm, and a large number of Banerjee’s colleagues in the television industry, who had been weeping and consoling her parents, were herded away as doctors prepared the report.

At 5 pm, Banerjee’s body was wheeled out on a gurney and placed on a stretcher which was laid on the ground and covered with a white sheet and flowers.

But even as the body was taken away in an ambulance and driven to a crematorium in Oshiwara, attracting a huge crowd of onlookers outside the hospital, Singh was questioned by the police in a room on the floor above the autopsy centre.

Actor Sahila Chadha, who was among the few to speak out in Singh’s support, was not allowed by the police to meet him. “I refuse. I refuse,” Bangur Nagar Senior Inspector Santosh Bhandare told Chaddha, as a tense stand-off ensued.

At 6.30 pm, the police drove Singh away and took him to the police station. Visibly scared and surrounded by cops, Singh did not answer any question.

Neeraj Gupta, a lawyer who has been roped in to represent Singh, dismissed talk of fights between the couple or of any financial trouble. “They were living their lives happily and there was no problem between them. Singh is cooperating with the police, and wants the truth to come out. He should not be declared a culprit at this stage. Let the police investigate the case and find out the reason behind the suicide,” he said.

Another officer said there were frequent quarrels between the couple but Banerjee’s family was aware of it.

Two months ago, Singh reportedly took Banerjee to Kolkata to the naming ceremony of his niece and introduced her to his family and got permission for their marriage.

Among the witnesses whose statements were recorded was the cook who entered the house on Friday. “The presence of an eyewitness at the discovery of the body rules out murder,” the officer said.

Late on Saturday, Singh’s father Harshvardhan Singh arrived at the police station.

He claimed that the couple was happy, and two months ago, had sought permission from him to get married.

Later, Rahul Raj Singh was allowed to leave Bangur Nagar police station a little before 11 pm.

 

mumbai.newsline@expressindia.com

Eye in the Sky Is the Quintessential Modern War Film

The war film is one of cinema’s most enduring genres; nearly every major conflict of the past century has been depicted on screen—multiple times. Films that wrestle with the rapidly changing nature of war, though, are rarer. As drone warfare continues its slow march into public consciousness, Eye in the Sky is the best movie yet to tackle the legal and moral quagmire surrounding modern technological warfare.

To do that, Eye in the Sky goes granular, telling the story of one particular mission on one particular day. In the movie, opening wide today, British colonel Katherine Powell (Helen Mirren) oversees a secret operation to capture a terrorist cell in Nairobi, Kenya. When the mission uncovers a more immediate threat than anticipated, though, the situation escalates. There’s no Normandy landing, no guns-and-mud Vietnam scene; there’s no pulling back, Syriana-style, to examine the context of the conflict. There’s just a British colonel, some American drone pilots, some undercover agents, and a smattering of government officials. Because that’s how international conflicts are resolved now—one clandestine move at a time.

Throughout its 102-minute runtime, Eye in the Sky raises many questions, from who has the authority to authorize force to whether minor casualties are an acceptable loss if they mean preventing an attack that kills thousands. And it depicts those questions as more than just thought experiments, but as things that stack and snarl, paralyzing decision makers who are playing by outdated rules of war.

In traditional military conflict, war was fought between nation-states, and the battlefield was the conflict zone. The problem we're in now is, what is the battlefield? It's less and less defined by geography and more and more defined by where that ideological enemy moves to. director Gavin Hood

The main argument within the film is whether the British government, aided by American drone technology, can go after its own citizens if those citizens are plotting an act of terrorism within the borders of a friendly country. For director Gavin Hood (Tsotsi, Ender’s Game), that lack of clarity is the foundation of the film. “In traditional military conflict, war was fought between nation-states, and the battlefield was the conflict zone,” Hood says. “What is the battlefield now? It’s less and less defined by geography and more and more defined by where that ideological enemy moves to.”

Far-Flung Participants, Cutting-Edge Tech

Where war used to mean a devoted push into a geographical region, Eye in the Sky shows how conflict has become an almost Taskrabbit-like system: remote contract workers executing hyper-specific objectives. Powell has a team in England, and a team of government overseers, led by Lieutenant Colonel Frank Benson (Alan Rickman, in one of his final roles), watch from a separate situation room. Meanwhile, drone pilots Steve Watts (Aaron Paul) and Carrie Gershon (Phoebe Fox) are in Las Vegas. Powell enlists help from the American Geospatial Analysis Unit, which is stationed in Pearl Harbor, Hawaii, to use facial recognition to confirm the identities of people captured in drone images. The powers-that-be also seek authorization from the US secretary of state on a diplomatic trip to China, the British foreign secretary, and the National Security Council at the White House. That’s at least eight locations, seven of which are operating thousands of miles away from the actual site.

There’s a lot of cutting-edge tech in Eye in the Sky, but Hood has no reservations about acknowledging the film will very quickly be out of date. Aside from the Reaper piloted by Watts, there’s a hummingbird drone—based on an actual piece of hardware—that does reconnaissance outside of a house, and an even smaller beetle drone, based on technology that has been commissioned and developed, but isn’t in the field yet.

The beetle isn’t entirely accurate, since it’s using a proprietary design based on developmental technology, but Hood spoke to the developers to find out what still needs to be worked on so Eye in the Sky could depict problems accurately. “It’s not the size of the cameras, or transmitting images, or even making something mechanical fly like an insect,” he says. “The problem is battery life. So we put that in the movie, because flight and transmitting high definition imagery sucks too much juice.”

Hood says he even had to cut back on depicting the current capabilities of these devices to help audiences process the events of the film. The beetle drone, for example, wouldn’t actually need help covertly landing inside a house. It has stereoscopic cameras that can map out a space, and then be directed to land itself to continue capturing surveillance information.

Even if Hood is right, and military technology makes his film feel dated within five years, Eye in the Sky is still one of the few war films attempting to depict modern warfare realistically. It’s not fetishizing spy technology, nor loudly proclaiming its pitfalls. And yes, ambiguity can be frustrating to watch, but shouldn’t it be? Nothing about drone war is simple, and being baffled by its problems is the point of Eye in the Sky—even if it is just political theater.

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Barcelona v Real Madrid: El Clásico – live!

Over its 114-year history there have been many different types of clásico. There are finals with trophies on the line, games contorted into personal duals, infamous matches tainted by pig heads and José's fingers. And then there is the occasional ...